Carl de Keyzer, Camp 12, Novobirusinsk, Russia, 2001
“Kiarostami représente le niveau le plus élevé de l’art dans le cinéma." (Martin Scorsese)
Bibliography and Credits
"Walking with the wind", Abbas Kiarostami, POL 2002
"A Wolf Lying in Wait", La Table Ronde 2008
"Pluie et vent", Abbas Kiarostami,Gallimard 2008
"Havres", Abbas Kiarostami, Erès, 2010
© Abbas Kiarostami, photographies, Hazan Eds, 1999
© “Snow White”, 2006
© “Trees and Crows”, 2006
© “Roads and Trees”, 2006
© “Rain”, 2006
Too many claim white people are at risk in communities of color. Really, it’s those communities that are threatened
Has anyone considered if the below FAA Airworthiness Directive could be a clue the MH370 investigation?A November 2013 FAA Airworthiness Directive for the 777SUMMARY: We propose to adopt a new airworthiness directive…
"Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia."
David Foster Wallace, Infinite Jest (via egoisme-a-deux)
We had this thought about dressing her a bit wrong, dressing her without quite understanding the nuances about how people dress or the choices people make when they wear clothes. We were kind of using the idea of maybe somebody who had recently immigrated to Britain who was just putting clothes together in a way that wasn’t quite right. It was the kind of gap in what’s obvious to all of us—or to most people—and what isn’t obvious to her—and clothes factored in there.It was quite interesting dressing her and working that out, actually.
It was also important to have her doing one thing, I didn’t want her changing her clothes. I just wanted her to have this one uniform, so it was about what that uniform could be across the whole film. I loved the idea of this pink sweater inside the fur, it felt very much like an insect or inside the wrong continent or something—like a shocking color in that landscape, just incongruous. Then the fur is this practical warm coat to hide another skin, another layer. And then these very femme fatale red lips. this primary colored visage.
Red (Part 2) in Helter Skelter (2012), Mika Ninagawa
Red (Part 1) in Helter Skelter (2012), Mika Ninagawa
The fact is we are all stuck inside this blasted train. We are all stuck in this hunk of metal. And this train is a closed ecosystem, we must always strive a balance. Food, water… population…
Snowpiercer/설국열차 (2013), Bong Joon Ho
Hanezu (Naomi Kawase, 2011)
"UConn graduates 8 percent of its players, according to the most recent NCAA statistics. To put it another way: of the 12 players who started as freshmen eight years ago, exactly one managed to finish a college degree or leave UConn in good academic standing."